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In an essay about the impact of the show’s legacy of sexual violence, the Atlantic’s Sophie Gilbert writes, “The strange value of Game of Thrones is that it highlighted how tediously prestige television has come to rely on rape, both as titillation and as a catchall traumatic event that even the most lauded shows overuse to enable male heroism and character development.” In the six episodes of Wheel of Time available to critics, there is almost no nudity, and when there is, it serves a clear purpose. Thanks for signing up! You can manage your newsletter subscriptions at any time.īut as indicated by that bath scene, Wheel of Time also feels decidedly unlike Game of Thrones in key areas. Game of Thrones’ success paved the way for a show like Wheel of Time, and proved that the masses and awards shows alike can take fantasy seriously.
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Prime Video’s series has a similarly ginormous budget (the first season cost a reported $80 million to make) resulting in impressive special effects and surreal CGI cities. But Game of Thrones’ shadow looms largest. Wheel of Time also relies heavily on practical effects to bring Orc-like minions of the Dark One, called Trollocs, to life. Filmed in the Czech Republic, the show features sweeping pans of characters traveling on foot or riding on horseback through breathtaking landscapes. Like Lord of the Rings, Wheel of Time begins with the focus on a central journey, and, as a result, there are a lot of walking scenes. The streaming adaptation clearly takes inspiration from its on-screen predecessors as well. Jordan’s novels are classic high fantasy, complete with bards who know more than they share, magical women with hidden agendas, monsters of all kinds, and cursed objects characters shouldn’t touch but inevitably do. Moiraine must uncover who they are and guide them to save the world.* And as the Dark One reawakens in the current age, the Dragon has also been reborn. In a past age, an extremely powerful user of the One Power-the Dragon-successfully beat back the forces of evil. Now women, Aes Sedai, are the only ones who can channel it, and conjurers like Moiraine fight a never-ending battle against the Dark One, who seeks to break the world. Although men used to wield the One Power, that ability has been lost. But the story’s core remains the same: In the World of the Wheel, history repeats itself in cycles of thousands of years, over and over again. Showrunner Rafe Judkins (both a Wheel of Time superfan and former Survivor contestant) ages the characters up, combines events, and strikes a less solemn tone. The Wheel of Time deviates considerably from its source material in order to condense Jordan’s Tolkienesque fictional universe the story is so expansive that telling it on-screen without cutting some details would be impossible. Wheel of Time is banking on the idea that shock value isn’t the only way to make people pay attention.